Showing posts with label sanlitun. Show all posts
Showing posts with label sanlitun. Show all posts

Tuesday, 8 April 2014

The Tour of All Tours at the Bookwork Literary Festival, Beijing 2014

Here are some pictures from the performance of The Tour of All Tours in Beijing, presented as part of the Bookworm Literary Festival 2014.


The tour started in the bookworm itself with a review of an audio tour around the station area.  



The tours that were covered were very different with a good number of them from other cities. The details were smoothed over so as to make it ambiguous whether this was a tour of Beijing or a projection of the tourist gaze. The one exception that would not allow itself to be smoothed over was the 'Occupy Beijing Tour'. This was so unlikely that it was interesting in its own right in so far as it described a tour that would not be permitted. Standing in front of the Bank of China, we started to look a little like the tour we were describing. 



Rather than describing this performance, something best left to someone watching it, it is more interesting to describe how it seemed to function. The format of the tour, even with the caveat of it being an art tour, brings with it a way of watching and participating. That and the great weather meant for a laid back audience.


The group was made up more of Westerners than of Chinese spectators, so we attracted a bit of attention in our own right as a minor spectacle. The hat no doubt helped.


It was great to be able to talk about The Olympics and East London and make comparisons between Hackney Wick and Sanlitun, an area that was developed significantly ahead of the games. Certain structural similarities connect the areas such as the displacement of poor people and their not very profitable businesses.


I enjoy those moments in the tours between stops when you talk in a more informal way with the spectators. I have to retain a performance sensitivity yet engage with people in an unforced manner. It is in these moments that you realise there is no escape from performing. The mask of sincerity is usually the best option. 


Something I was not counting on happened. Taking the group through Yashow Market, I lost 2 or 3 people as they were spirited away into shopping mode upon seeing a dress they liked the look of. That is when I realised that it is not just me who engages in the event in more ways than one but so to do the spectators: as tourist, as art viewer, as shopper and as self, to name but four. As for the baby, he was probably the most centred of us all and hadn't leant the different roles he could play in this game of being the tourist.

Friday, 21 March 2014

The Sanlitun Tour: a conceptual tour of Beijing's tours

This blocking of the blog from within China is why there have been fewer postings of late and that is a pity as there has been plenty to write about. The tour to The Great Wall was very silly and they managed to make something that could have been quite beautiful and impressive a great deal less than what it is. On the other hand, the way the day unfolded and the differences between Chinese coach tours and those I am more familiar with was so vast that it was worthy of a study unto itself. 

Last weekend I gave the first Tour of Tours here in China for the Bookworm's Literary Festival and it went really well. The smog did not interfere, the weather was finally warm and it was a pleasure to be outside, something that has not been the case for a while. That helped enormously. The tour was a particularly conceptual one as there are no real tours that I took of the area and which I could report on. Everything was referring to something else or was a projection of another location onto Sanlitun. As such it made for an unusual sort of tour with the weight falling on talking about tours. We passed through Yashow Market a place bristling with fake branded products and lost a few people there, such is the danger of passing through a shopping place. In all however, it was a good start to Beijing tours and one that will be built upon in the coming months.

Advance notice now about workshops that will be given on performing in public space using guiding principles. There will be workshops in Beijing in May and in London in July, others to be announced.    

Saturday, 8 March 2014

Beijing Tours: research for The Bookworm Literary Festival

I have been getting my bearings in Beijing which for one thing means North, South, East and West all mean a great deal more here than they did in London which is a meandering city that has little interest in lines. Another thing that this means is that it is time to start both taking and giving tours once again. Tomorrow I'll be taking the tour bus to the Ming Tombs and Great Wall at Badaling, the most popular spot for visitors. Apparently there is a guide and lunch is included too. My one experience on a Chinese tour bus back in 2011 was memorable (it was pretty insane to tell the truth) so I'm hoping this tour will also be something worth writing about.

I am also making a tour at the moment and will give it in the Sanlitun neighbourhood next Sunday as part of the Bookworm Literary Festival. While tickets for it are now sold out I heard there may be a second tour added so don't be put off. This is the festival's website which includes information on the performance and booking details. This will be the first time I've shown this piece in China so I'm very curious how people will understand it. 

Finally, I've been taking a lot of pictures of daily life here in Beijing as a way to both help document my tour creation (there are many of Sanlitun in the recent posts) and as way to document how the eye shifts its focus with time and familiarity. The photo blog is HERE.